There were square shawls too, and you can see one here, but with the advent of the crinoline, a certain size became necessary if they were to be worn over those huge skirts as warm winter wraps. Even so the early shawls followed the theme of having a large centre panel with a beautiful woven border, the 'boteh' or wonderful fern patterns often intruding into that centre. I sold one like that earlier this year, and very beautiful it was too.
But as the century progressed the centres got smaller and smaller until with the later nineteenth century shawls there was no centre panel at all. When I hung this up to examine it more closely, I wondered at first if it had been stitched together, but the two pieces have definitely been woven together. I love these textile mysteries and - being a writer - I got to imagining that perhaps this had been a shawl with a full centre panel which sustained some damage early in its life. And perhaps - this being discovered very close to the area where the shawl might have been made in the first place, ie the West of Scotland - it was taken back to a Paisley weaver who simply cut out the small bit of damage and did a brilliant weaving restoration job on the two halves. This was not a throw away society, and a shawl would have been a precious item, so make do and mend was the only option!
No comments:
Post a Comment